Sprint 48 UAT Testing

UAT Testing

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The Journey

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Angels don’t come to the reservation.
Bats, maybe, or owls, boxy mottled things.
Coyotes, too. They all mean the same thing—
death. And death
eats angels, I guess, because I haven’t seen an angel
fly through this valley ever.
Gabriel? Never heard of him. Know a guy named Gabe though—
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he came through here one powwow and stayed, typical
Indian. Sure he had wings,
jailbird that he was. He flies around in stolen cars. Wherever he stops,
kids grow like gourds from women’s bellies.
Like I said, no Indian I’ve ever heard of has ever been or seen an angel.
Shortlist Finalists

Maybe in a Christmas pageant or something—
Nazarene church holds one every December,
organized by Pastor John’s wife. It’s no wonder
Pastor John’s son is the angel—everyone knows angels are white.
Quit bothering with angels, I say. They’re no good for Indians.
Remember what happened last time
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some white god came floating across the ocean?
Truth is, there may be angels, but if there are angels
up there, living on clouds or sitting on thrones across the sea wearing
velvet robes and golden rings, drinking whiskey from silver cups,
we’re better off if they stay rich and fat and ugly and
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xactly where they are—in their own distant heavens.
You better hope you never see angels on the rez. If you do, they’ll be marching you off to
Zion or Oklahoma, or some other hell they’ve mapped out for us.
— Natalie Diaz

Start Registration

Angels don’t come to the reservation.
Bats, maybe, or owls, boxy mottled things.
Coyotes, too. They all mean the same thing—
death. And death
eats angels, I guess, because I haven’t seen an angel
fly through this valley ever.
Gabriel? Never heard of him. Know a guy named Gabe though—

Submit Proposals

he came through here one powwow and stayed, typical
Indian. Sure he had wings,
jailbird that he was. He flies around in stolen cars. Wherever he stops,
kids grow like gourds from women’s bellies.
Like I said, no Indian I’ve ever heard of has ever been or seen an angel.

Shortlist Finalists

Maybe in a Christmas pageant or something—
Nazarene church holds one every December,
organized by Pastor John’s wife. It’s no wonder
Pastor John’s son is the angel—everyone knows angels are white.
Quit bothering with angels, I say. They’re no good for Indians.
Remember what happened last time

Submit Solutions

some white god came floating across the ocean?
Truth is, there may be angels, but if there are angels
up there, living on clouds or sitting on thrones across the sea wearing
velvet robes and golden rings, drinking whiskey from silver cups,
we’re better off if they stay rich and fat and ugly and

Announce Winners

xactly where they are—in their own distant heavens.
You better hope you never see angels on the rez. If you do, they’ll be marching you off to
Zion or Oklahoma, or some other hell they’ve mapped out for us.
— Natalie Diaz

All timings are as per (GMT +8:00) Singapore, Beijing, Perth, Hong Kong

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About Us

Body my house
my horse my hound
what will I do
when you are fallen

Where will I sleep
How will I ride
What will I hunt

Where can I go
without my mount
all eager and quick
How will I know
in thicket ahead
is danger or treasure
when Body my good
bright dog is dead

How will it be
to lie in the sky
without roof or door
and wind for an eye

With cloud for shift
how will I hide?

— May Swenson

Problem Statements

April. And the air dry
As the shoulders of a water buffalo.

Grasshoppers scratch at the dirt,
rub their wings with thin legs
flaring out in front of the soldiers
in low arcing flights, wings a blur.

The soldiers don’t notice anymore,
seeing only the wreckage of the streets,
bodies draped with sheets, and the sun,
how bright it is, how hard and flat and white.

It will take many nails from the coffinmakers
to shut out this light, which reflects off everything:
the calloused feet of the dead, their bony hands, 
their pale foreheads so cold, brilliant in the sun.

—Brian Turner

Problem Statement 1

I used to lie on the floor for hours after
school with the phone cradled between
my shoulder and my ear, a plate of cold
rice to my left, my school books to my right.
Twirling the cord between my fingers
I spoke to friends who recognized the
language of our realm. Throats and lungs
swollen, we talked into the heart of the night,
toying with the idea of hair dye and suicide,
about the boys who didn’t love us, 
who we loved too much, the pang
of the nights. Each sentence was
new territory, like a door someone was
rushing into, the glass shattering
with delirium, with knowledge and fear.
My Mother never complained about the phone bill,

I used to lie on the floor for hours after
school with the phone cradled between
my shoulder and my ear, a plate of cold
rice to my left, my school books to my right.
Twirling the cord between my fingers
I spoke to friends who recognized the
language of our realm. Throats and lungs
swollen, we talked into the heart of the night,
toying with the idea of hair dye and suicide,
about the boys who didn’t love us, 
who we loved too much, the pang
of the nights. Each sentence was
new territory, like a door someone was
rushing into, the glass shattering
with delirium, with knowledge and fear.
My Mother never complained about the phone bill,

what it cost for her daughter to disappear
behind a door, watching the cord
stretching its muscle away from her.
Perhaps she thought it was the only way
she could reach me, sending me away
to speak in the underworld.
As long as I was speaking
she could put my ear to the tenuous earth
and allow me to listen, to decipher.
And these were the elements of my Mother,
the earthed wire, the burning cable,
as if she flowed into the room with
me to somehow say, Stay where I can reach you,
the dim room, the dark earth. Speak of this
and when you feel removed from it
I will pull the cord and take you
back towards me.

—Leanne O’Sullivan

what it cost for her daughter to disappear
behind a door, watching the cord
stretching its muscle away from her.
Perhaps she thought it was the only way
she could reach me, sending me away
to speak in the underworld.
As long as I was speaking
she could put my ear to the tenuous earth
and allow me to listen, to decipher.
And these were the elements of my Mother,
the earthed wire, the burning cable,
as if she flowed into the room with
me to somehow say, Stay where I can reach you,
the dim room, the dark earth. Speak of this
and when you feel removed from it
I will pull the cord and take you
back towards me.

—Leanne O’Sullivan

Problem Statement 2

This is the field where the battle did not happen,
where the unknown soldier did not die.
This is the field where grass joined hands, 
where no monument stands,
and the only heroic thing is the sky.

Birds fly here without any sound,
unfolding their wings across the open.
No people killed—or were killed—on this ground
hallowed by neglect and an air so tame
that people celebrate it by forgetting its name.

—William E. Stafford

This is the field where the battle did not happen,
where the unknown soldier did not die.
This is the field where grass joined hands, 
where no monument stands,
and the only heroic thing is the sky.

Birds fly here without any sound,
unfolding their wings across the open.
No people killed—or were killed—on this ground
hallowed by neglect and an air so tame
that people celebrate it by forgetting its name.

—William E. Stafford

at the parades, everyone 
wants to touch my hair.

on the corner 
of st charles and marengo, 

i am cold & smashed & puffy AF 
when two white women 
try to convince me 
that they love my hair

no they really really do 
they say because it is so
black and thick and curly 
and soaking up all of the
water in the damp air. 

the mousy one says
through an alabama drawl:
gawd, you can do so much with it 

and her blonde friend says:
ya can’t do a damn thing with mine, 
won’t even hold a curl. 

she runs away to grab another friend 
and says to her: stacey, isn’t it even
prettier than macy gray’s? 
we just love her,
don’t we?

they circle me and ask:
can we touch your hair?

and then, suddenly,
just like my ancestors long ago,
i am pulled apart

soft

by pale hands 
from all directions.

—Skye Jackson

at the parades, everyone 
wants to touch my hair.

on the corner 
of st charles and marengo, 

i am cold & smashed & puffy AF 
when two white women 
try to convince me 
that they love my hair

no they really really do 
they say because it is so
black and thick and curly 
and soaking up all of the
water in the damp air. 

the mousy one says
through an alabama drawl:
gawd, you can do so much with it 

and her blonde friend says:
ya can’t do a damn thing with mine, 
won’t even hold a curl. 

she runs away to grab another friend 
and says to her: stacey, isn’t it even
prettier than macy gray’s? 
we just love her,
don’t we?

they circle me and ask:
can we touch your hair?

and then, suddenly,
just like my ancestors long ago,
i am pulled apart

soft

by pale hands 
from all directions.

—Skye Jackson

AWARDS

Give up sitting dutifully at your desk. Leave your house or apartment. Go out into the world.

It's all right to carry a notebook but a cheap
one is best, with pages the color of weak tea
and on the front a kitten or a space ship.

Avoid any enclosed space where more than
three people are wearing turtlenecks. Beware
any snow-covered chalet wit

Not surprisingly, libraries are a good place to write.

And the perfect place in a library is near an aisle
where a child a year or two old is playing as his
mother browses the ranks of the dead.

Often he will pull books from the bottom shelf.

The title, the author's name, the brooding photo
on the flap mean nothing. Red book on black, gray
book on brown, he builds a tower. And the higher
it gets, the wider he grins.

You who asked for advice, listen: When the tower

falls, be like that child. Laugh so loud everybody
in the world frowns and says, "Shhhh."

Then start again.
—Ron Koertge *

Eligibility

I like the generosity of numbers.
The way, for example,
they are willing to count
anything or anyone:
two pickles, one door to the room,
eight dancers dressed as swans.

I like the domesticity of addition—
add two cups of milk and stir—
the sense of plenty: six plums
on the ground, three more
falling from the tree.

And multiplication's school
of fish times fish,
whose silver bodies breed
beneath the shadow
of a boat.

Even subtraction is never loss,
just addition somewhere else:
five sparrows take away two,
the two in someone else's
garden now.

There's an amplitude to long division,
as it opens Chinese take-out
box by paper box,
inside every folded cookie
a new fortune.

And I never fail to be surprised
by the gift of an odd remainder,
footloose at the end:
forty-seven divided by eleven equals four,
with three remaining.

Three boys beyond their mothers' call,
two Italians off to the sea,
one sock that isn't anywhere you look.

—Mary Cornish